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Rifle Sport - Voice of Reason (1983, Reflex)

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I've never been much of a hardcore guy.  Punk yes...but hardcore?  I need way more than indiscriminate speed and shouted vocals, regardless of the righteous indignation and moral outrage that might inform that type of music.  No, in order for me to enjoy anything remotely hardcore there has to be at least one other ingredient in the mix.  With Bad Religion (at least in their second iteration starting in the late '80s) it was melody.  Another exception for me might be The Germs, who offered some unique and indigenous tangents that I can't quite convey in the written word.  And the Circle Jerks and Adolescents packed such an irresistible thrust and groove that even I was forced to let my guard down.

So where am I going with all this?  Minneapolis'Rifle Sport were a band that could have taken the generic hardcore route with their first album, Voice of Reason, but instead opted for a slightly modified path.  Never heard of them?  Since this band was a strictly pre-internet proposition biographical details are meager at best, and even my own personal insight borders on minimal. I've featured a couple of their later albums (Primo and White) previously, but the record I'm featuring here is considerably more crucial.

No, Rifle Sport weren't casting their gaze on the likes of Minor Threat or 7 Seconds, sacrilegious as that may strike some of you.  They had something more interesting on the brain, specifically the rhythmic variant of post-punk that Mission of Burma was pumping out around the same time.  And not merely the rhythm and meter, but more significantly the sweeter guitar tones the Burmas, and kindred west coast spirits Middle Class were doling out.  Sure, Voice of Reason sounds a bit dated in 2018, but the four gents responsible for this record were on the cusp of something fresh and stimulating rather than confrontational. Things aren't rampaging here at a million miles an hour, but these guys were frenetic as hell.  If you're anything like me, you might pick up on glints of Joy Division, Pere Ubu and Talking Heads, the latter of which is particularly evident in the vocal department.  Voice... may not qualify as a masterpiece, but it's always sat well with me.  Give 'er a spin.

Rifle Sport drummer Todd Trainer went onto Breaking Circus, Brick Layer Cake and Shellac, while bassist Pete Conway later enacted Flour.  This album (which BTW was released on Husker Du's Reflex imprint) was produced by Steve Fjelsted, whose production roster is beyond numerous.

01. Voice of Reason
02. Angel Tears
03. Run & Hide
04. Danger Streets
05. Good News Week
06. Mind Over Matter
07. Hollow Men
08. Meet
09. Church
10. Keep on Walkin'
11. Correctional Facility
12. No Money
13. Eva Evita

MP3  or  FLAC

Digital resuscitations of three smashing vinyl EPs: Matt Barrett, Richard X. Heyman & Home.

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Well, I don't have a string of 7" vinyl queued up for this Chanukah, but how would three records in a slightly lengthier format grab you?  It dawned on me as a I set to type this out that I don't think I've mentioned any of the three following acts on this site before, so you're truly getting something original for a change.  Please make your acquaintance below.

Matt Barrett - The Ruse ep (1980, Moonlight)

Matt Barrett's back story is quite literally strewn on the rear album cover of The Ruse.  Since I've included a fairly legible jpeg in the folder I'll try not to overlap with it too much.  In 1978, two up and coming scenesters in Chapel Hill, NC, vocalist/guitarist Barrett and accompanying guitar slinger chum Rick Miller had some songs sans a full fledged band.  You know how just about every batch of these annual Chanukah uploads somehow involves Mitch Easter to one extent or another?  Well here he comes into focus again, as Barrett and Miller hooked up with Mitch (and frequent collaborator Don Dixon) to fill on drums and bass respectively for a one-off recording session in 1978 yielding two songs for an intended single.  Intended is just how it stayed due to lack of resources to usher them to market.  Fast forward to 1980 for the recording of two newer cuts concocted by the Barrett/Miller axis, this time with a less renown rhythm section. The Ruse collects all four recordings...and it's something of a mixed bag.  Regarding the Mitch Easter/Dixon cuts, "My Baby's M-M-Makin' Me Dance" is a rootsy stomper wielding a bit of a Rockpile angle.  No foreshadowing of anything approaching the likes of Let's Active, but fun.  The remaining cut from this session, "Restless" is a sluggish classic rock jam, accomplishing nothing in it's four tired minutes.  The two newer songs on side two are exponentially better by comparison, veering in the vicinity of radio-friendly power pop.  Both "Six Pack" and "How Could I Have Known?" are wholly sturdy and respectable.

01. My Baby's M-M-Makin' Me Dance
02. Restless
03. Six Pack
04. How Could I Have Known?

MP3  or  FLAC

Richard X. Heyman - Actual Size ep (1986, NR World Records) 

When Actual Size fell into the laps of a none-too-assuming public in 1986, it was more than just another power pop record, rather the dawn of singer/songwriter Richard X. Heyman marking his first solo venture.  He made a bigger splash a few years later, landing on Sire Records for '91s excellent Hey Man!, and has been releasing records independently ever since.  In spite of everything he's come up with since this little homegrown EP, it's probably the most arresting thing I have yet to hear from him.  Touching on everyone from '80s Tom Petty to Marshall Crenshaw and Tommy Keene, the six-slice Actual Size is a transcendent pie of ringing, snyth-enhanced pop, that doesn't succumb to the gaudier recording and performance techniques of it's otherwise superficial era.  "Hoosier" alone is time capsule worthy.  A front to back winner.  Heyman re-recorded the entire record and some of his other early songwriting ventures for 2007's Actual Sighs.  Well worth picking up if this makes any impression on you.

01. I'm That Kind of Man
02. Hoosier
03. When Giants Fall
04. The Gallery
05. Masquerader Man
06. Special Love

MP3  or  FLAC

Home - Dirt ep (Homestijl, 1987)

I know for a fact there have been numerous bands monikered Home, but perhaps none more clandestine and intriguing than the one which set up shop in the environs of Albany, NY circa the mid-80s.  The brainchild of lo-fi  home-recordist Bob Lukomski, Home bore some austere, noir affectations, just not the brooding or navel-gazing variations thereof.  Dare I say they had an affection for what Peter Murphy was up to around the same period?  Intelligent, tuneful post-punk rock nibbling on the same edges as contemporaries For Against is how I would typify Home and this thoroughly wonderful four-song record.  They played out frequently from what I recall, but despite originating from their neck of the woods, Lukomksi and Co. were a posthumous discovery for me.  Some additional Home material is available on Bandcamp along with some of Lukomski's other endeavors.

01. Mona
02. Heaven
03. Mexican Sunset
04. Tick Tock

MP3  or   FLAC

Three Leaning Men - Fun in the Key of E (1987, Meltdown)

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Every year or so I happen upon a phenomenal yesteryear release that I wasn't on my radar up until that point.  Sometimes I'm a couple years late to the party, others I'm behind the curve by a good three decades, and that was the case with the item I'm debuting tonight. 

Just when I think I've plundered and unearthed every last lost '80s treasure from the Kiwi-laden isles of New Zealand a new fuzzy-skinned but succulent fruit appears in my metaphorical basket.  Three Leaning Men (actually a quartet based on the rear album sleeve roster) were not from of their country's epicenters like Wellington, Auckland, Christchurch or even Dunedin, but rather from the smaller city of Palmerston North, located on NZ's North Island.  As you might guess, 3LM were not the least bit impervious to some of the local contingents that surrounded them like The Chills (whom according to Wiki they supported) and The Bats, but they also had their sights set on that more sizable chunk of land due northwest.  These chaps would have slotted in perfectly with the likes of the Go Betweens and Triffids, and on the more Anglo side of things Orange Juice and Close Lobsters.  Yes, I know, it all sounds to good to be true, but lay your ears on "By Your Leave,""Facing" and "Who Knows" (the last of which sounds as if these guys were plugged into the Chills Wurlitzer) and you can confirm what I'm suggesting entirely.  Hard to believe something of this caliber has eluded us for so long, but I'm all for pleasant surprises.  A major find to say the least.

Fun in the Key of E, the band's lone full length, harbors a few misfires (most accumulating on side two) but the highlights are dazzlingly high indeed.  Including the ten brief songs on the album proper, I've tacked on two compilation appearances as well, all listed below.  Some of the only pertinent details on the group are included in an online article regarding the Leanies record label, Meltdown. The band's lineup includes brothers Alan and frontman Lindsay Gregg, the latter of whom I sadly  learned passed away in 2011.  Post-3LM, Alan went on to the considerably more renown Mutton Birds.  If any of the surviving members of the band happen to read this, do get in touch.

One last detail.  The album jacket is the work of one Fane Fawes, whose exaggerated style is almost mistakable for that of Ralph Steadman, Hunter S. Thompson's art collaborator.  

01. By Your Leave
02. Catherine
03. Who Knows
04. All of These Things
05. Look Over There
06. Until We're Alone Again
07. Facing
08. Another Change Again
09. 1:30
10. Masculinity

plus:
Happy (from Weird Culture Weird Custom)
Industrial Sunset (from Melt Down Town and Out of Control, 30 Years on Radio Massey)

MP3  or  FLAC

Material Issue - Issues Vol. 3

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Ok, one last present to finish the holiday off, and a pretty substantial one at that from a band that needs no introduction - at least I would expect that to be the case.  Can you believe it's been ELEVEN YEARS since I dedicated an entry to Material Issue?  Maybe I just didn't want you to get burned out on them.  Then again this is the trifecta to end all power pop trios we're talking about here - Ted Ansani, Mike Zelenko, and of course the late Jim Ellison.  I guess there isn't much of a burnout factor there, eh?

Issues is nothing more than a fan-curated series of bootlegs compiling scarce, unreleased and live stuff from Chicago power-pop demigods, you guessed it, Material Issue.  You'll no doubt notice the header states this is Vol 3.  You might be asking, are there volumes one and two?  Do subsequent chapters in the Issues serial exist?  Yes, and yes.  Currently I don't have all or even most of them, but I might try to work on that.  Furthermore, from what I've been able to learn about these MI compilations, Vol. 3's emphasis is on studio material, that in one iteration or another isn't readily available for public consumption.  It touches on songs from their debut, International Pop Overthrow, but the emphasis of this volume tends to zero in on their pre and post major label stint with Mercury Records.  Best of all it includes some entirely unique and unreleased cuts that to my knowledge have never appeared on any official MI releases.  Let me fill you in if I may.

Issues Vol. 3 commences with a spate of some of the trio's most nascent tunes, pulled from demo tapes circa 1985-86 that may or may not have made it into the public realm.  "Why,""I Want You" and "Walk Into the Fire" never carried over to proper MI records, but we get to hear early previews of a couple that did - "Chance of a Lifetime" and "Echo Beach," both of which would eventually become fan favorites.  These are followed up by not-so-different-from-the-album takes of bona-fide hits, "Valerie Love Me,""Renee Remains..." and the always zingy "What Girls Want."  Next, a cover of Tommy Roe's 1969 hit "Dizzy" is credited as an IPO outtake.  No complaints there.  "Bones" isn't a MI song, rather a track by an unrelated combo, Slink Moss and the Flying Aces that Jim Ellison contributed vocals to in 1995.  This is followed up by three songs that are placed under the umbrella of  "AMX demos."  Cut in 1996, the AMX acronym translates into AKA Material Issue, per this relevant blog post.  "Carousel" wound up on MI's posthumous Telecommando Americano, but "Quicksand" and "Blue Is for Boys" have been lost in the ether...until now.

The bulk of the remainder of Issues 3 is comprised of demos for Telecommando Americano.  Some of which are virtual mirrors to the album versions, but the nuances and differences are there, like in the guitar fills on "What if I Killed Your Boyfriend?"  I honestly have to wonder if the MI fans that dropped off after IPO were even aware of the existence of this album, as I usually find no one but die hard fans ever mention it.  That's a shame, because "Satellite", What if I...," and "You Were Beautiful" are as stimulating as anything else in MI's sturdy power pop canon.  BTW, "Mrs. Beautiful" is another outtake, and a decent enough one at that.  Things close out with Material Issue concocting an ad for Budweiser, which I don't believe ever made it to Sunday afternoon TV, but who knows. 

I ponder a lot about about the late Jim Ellison and moreover what might have been if things had taken a different turn on June 20, 1996.  If you're a fan you've probably gleaned the synopsis (or what little thereof was made public knowledge) of what played into his final act of desperation.  He died a veritable martyr for his cause, but still a punishing excuse for the rest of us.  And in light of what transpired that day, all Material Issue songs, even the most strident and jovial ones ache to one extent of another whenever I hear them.  Even if he had never recorded another note, had he simply been able to persevere through his circumstances that would have been satisfaction enough for me.  Jim, you were seemingly too misanthropic to be sentimental, but nonetheless we miss the hell out of you.  Tracklist and links are below.

01 ...we're Material Issue...
02 Why (1985 demo - unreleased)
03 I Want You (1985-86 demo - unreleased)
04 Chance Of A Lifetime (1985 tape)
05 Walk Into The Fire (1986 tape)
06 Echo Beach (1986 tape)
07 Renee Remains The Same (original 7")
08 What Girls Want (Head Wound mix)
09 Valerie Loves Me (different from CMJ version)
10 Dizzy - Tommy Roe (IPO outtake)
11 Bones (Slink Moss w/Jim Ellison)
12 Quicksand (AMX demo - unreleased)
13 Blue Is For Boys (AMX demo - unreleased)
14 Carousel (AMX demo - piano version - unreleased)
15 976-LOVE (demo)
16 Our Daughter (demo - LOUD guitar)
17 London Girl (demo)
18 Off The Hook (demo - shorter & less phone noise)
19 Two Steps (demo)
20 Satellite (demo - guitar intro)
21 Mrs Beautiful (demo - unreleased)
22 What If I Killed Your Boyfriend (demo)
23 You Were Beautiful (demo)
24 ...nothing beats a Budweiser....

MP3  or  FLAC

Got impaled on a nail, once I left a trail behind me...

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For this Mystery Monday it's a Chanukah-worthy double CD of demos for this Scottish band's first three albums.  And it's not Teenage Fanclub either.  Will try to leave this up a tad longer than usual.

**Please do not reveal artist in comments!**

Part 1  &  Part 2

Buzzcocks - Many (random) parts (1978-2006). R.I.P. Pete Shelley.

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News none of us were quite expecting went out late last week announcing Pete Shelley, frontman for the Buzzcocks (and a solo artist in how own right circa the mid-80s) had died suddenly of a heart attack at 63.  The Buzzcocks initial 1977-81 lifespan was superseded many, many times over since the band reconvened in 1989, and it seemed like they might have well gone on for another ten years or so. Whether they were the founders of "pop-punk," as it were, or not, they certainly had the biggest hand in stirring that much coveted and ultimately lucrative kettle.  Arguably more influential than even the Sex Pistols, certainly hundreds of punters that followed in the Buzzcocks wake professed to be inspired by them, but how many genuinely sounded like Pete Shelley, Steve Diggle and Co.?  Heck, I couldn't even name a Buzzcocks imitator if you put a gun to my head.  Shelley had a singular voice, and a plaintive yet distinctive songwriting acumen to match.  Utterly irreplaceable.  Luckily, they toured so extensively most fans were at least able to catch a concert or two.  Can't really say that about the Pistols, or even the Clash for that matter.

I've dedicated space to multiplelive Buzzcocks collections, and even a batch of demos circa 1991, so instead of rehashing too much, I've got a mini-bundle of predominantly off the beaten path goodies, including radio sessions from 2003 and 2006, contemporary to the Buzzcocks and Flat-Pack Philosophy albums.  The emphasis on both of them was then-new material, but you'll find one vintage chestnut in each folder.  Then there's 1991's somewhat under-released, but relatively findable Alive Tonight ep with the reunited band not treading familiar territory, rather delving into promising new sonic tiers without compromising what made them quintessentially Buzzcocks,  And I suppose I couldn't get away without offering something in the live realm, specifically their 1978 Lyceum performance in London, as included in the now out-of-print Product box set.  It's only eight songs, meaning the band had an exceedingly brief set that night, or EMI records was being stingy with said retrospective.  And there's a couple of even more random one-offs including an unspeakably rare live tack of "Paradise," and a 1990 performance of a dandy tune titled "Wallpaper World," which evidently never found it's way into the studio.

Ya done good Mr. Shelley.  The gratitude is endless from my little corner of the world, and I'm sure many others.

2003 Peel Session
01. Driving You Insane
02. Certain Move
03. Lester Sands
04. Peel chatter
05. Jerk

Mark Radcliff Session 3/15/06
01. interview
02. Flat-Pack Philosophy
03. interview
04. interview
05. Soul Survivor
06. interview
07. Love You More

Alive Tonightep (1991, Planet Pacific)
01. Alive Tonight
02. Serious Crime
03. Last to Know
04. Successful Street

Live at the Lyceum, London 3-10-78 (from Product box set)
01. Breakdown
02. Fast Cars
03. Noise Annoys
04. Moving Away From The Pulsebeat
05. Fiction Romance
06. What Do I Get?
07. Whatever Happened To?
08. Time's Up

https://www55.zippyshare.com/v/ammTHDOK/file.html

V/A - Something's Gone Wrong Again - The Buzzcocks Covers Compilation (1992, C/Z)

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Thought this would tie in well with recent events, not to mention what I posted a couple nights back.  This was an easy sell for me back in '92.  First and foremost because it was a Buzzcocks tribute, but almost as appealing was the inclusion of no less than five of my top-tier faves, Big Drill Car, TheDoughboys, The Fluid, Didjits and Naked Raygun.  Back then I would've purchased a compilation if it featured any one of them, even if this had been a Patsy Cline tribute.  Overall, Something's Gone Wrong Again is a par for the course covers comp with a few really ill advised choices balancing out the smarter ones.  Of the aforementioned participants, the Doughboys and Didjits take the cake, especially the latter, whose spin on "Sitting Round at Home" smoked the Gorilla Biscuits' rendition from just a few years before.  Electric Love Hogs convey "Boredom" with a Melvins-y thrust, Alice Donut taking on "E.S.P." is a logical pairing, and Raygun do more than adequate justice to the Buzzcocks anthem that never quite became one, "Running Free."  TheAccüsed and Deadspot butcher their allotted slots disgracefully, and the Larry King soundbites on Porn Orchard's reading of "Why Can't I Touch It?" are nothing short of pathetic.  Some other good candidates for this album might have been Superchunk, The Figgs, and perhaps even pre-stardom Green Day...but of course, I had no say in such matters.  Fourteen tracks.  Hope your favorite is here.

01-Doughboys - Why She's A Girl From The Chainstore
02-The Fluid - Oh, Shit
03-Coffin Break - What Do I Get?
04-Didjits - Sitting Round At Home
05-Electric Love Hogs - Boredom
06-Deadspot - Orgasm Addict
07-Lunachicks - Noise Annoys~Promises
08-Big Drill Car - I Don't Mind
09-Porn Orchard - Why Can't I Touch It?
10-The Accüsed - Lipstick
11-Alice Donut - E.S.P
12-Naked Raygun - Love Battery
13-Naked Raygun - Running Free
14-Dose - Everybody's Happy Nowadays

https://www73.zippyshare.com/v/fq0PQStn/file.html

If I could change anything I would change everything.

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From 1993.  This band's third and potentially final album.  Can't think of a classier way to go out.

Hear

Starlight Conspiracy - Sounds Like a Silver Holler (1996, Catapult)

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Crunchy and often shoegazer-y indie rock this way came from the presumably long defunct Starlight Conspiracy.  Apparently hailing from New England (Mass or Vermont I wanna say) this co-ed quartet featured Jan Tofferi, largely dominating on vocals.  Bearing a raw, mid-fi aptitude the Conspiracy had an unwieldy grip on dynamics and an even better handle on distortion.  Downcast but never despondent the band's serious tenor was more substance than angsty theatrics.  Silver Holler is Vaguely analogous to early Velocity Girl, especially on the more melodic bits like "She Waits," and "Just Heavier Words." Kind of wish they stuck around for another record or two.

01. She Waits
02. Don't Leave the Stage
03. Silver Holler
04. Just Heavier Words
05. Switching Lines
06. Airlock
07. Anomaly
08. Calgon
09. Anchored
10. Earth Prime

https://www109.zippyshare.com/v/gEzVavzN/file.html

Sport of Kings - Sing Mary Sing (1982, Thermidor)

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Sport of Kings were fortunate to exist at a time when the word "goth" wasn't so liberally applied to music. If anything, the more appropriate tag for this Bay Area duo would more suitably have been post-punk, given their seemingly keen affection for such Anglo conglomerates as Bauhaus and Comsat Angels.  There's a terrifically noir temperament to much of Sing Mary Sing, a record that merges mildly serrated sonic effects within song structures that are if not consistently melodic, at the very least approachable.  Sport of Kings angle for some serious mystique on this platter, albeit never contrived or forced.  And you'll find none of that beefy '80s production shtick here either, which is needless to say always a big plus.  Give this one a spin or two, and pay extra attention to the title track, and the album's enticing bookends, "So Easy" and "We Never Fail."

01. So Easy
02. A Wonderful Time
03. Dark Clouds Moving
04. I See Only You
05. Under the Same Blue Sky
06. Sing Mary Sing
07. Rich
08. Reminisce
09. We Never Fail

https://www71.zippyshare.com/v/XoY1Aj2w/file.html

Disguise and distort all you will...

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A must-hear masterwork from 1986. 

**Please do not reveal artist in comments!**

Hear

Merry Stone-mas!

13th Hole - Headache (1992, Rosebud/Barclay)

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This hasn't been a banner week for content folks, and while I plan on treating you to some long requested uploads in the immediate future, I present to use this festering, surge of guitarsy, art-noise glop.  There's some serious early-Sonic Youth caterwaul-cum-distorto Jr. slurry emanating from the golden throats and calloused fingers of this co-ed, French air-parcel, who had the balls (and ovaries) to affix the unluckiest combo of two numerals to their moniker.  Residing amidst 13th Hole's gooey, fever-dream sensory-overload antics, you'll find traces of discernibly tuneful fretboard maneuvers that for better or worse still fall short of "pretty."  In fairness, "Wave" borders on hummable (in the most relative context possible), and elsewhere we stumble on some shoegazer -y outcroppings that all of you dream-pop noiseniks in the audience should harbor at least some faint appreciation for.  More 13th Hole offerings would ensue, predominantly in the current millennium, all of which appear to be soaking up bandwidth on BandcampHeadache, however, can only be streamed on said music hub, so dare I say Wilfully Obscure is the only downloadable source for this flagrant hot mess?

01. Face
02. Crazy
03. He Is Ill
04. Wave
05. Stand in Line
06. Soft Sound
07. Mr Know All
08. City
09. Mrs. Peel

https://www74.zippyshare.com/v/tIb9T8fk/file.html

Re-ups for the end of 2018.

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I know I’m breaking all the rules...

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One of 2017's best.  Hope to get something new from them in the coming year.

**Please do not reveal artist in comments!**

Hear

A slight case of underblogging - Best of the blog mix 2018

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It's time once again for our annual rehash *ahem* taster of the creme de la creme of Wilfully Obscure's juiciest morsels from the year just departed.  Per the title, I say under-blogging in the respect that each year I seem to grow a tad more slack than the one prior in terms of the amount of audio victuals I lay out buffet-style on our coveted, on-the-house table.  Is what it is I suppose, as I'm in no hurry to exhaust my collection.  Revelations continue to abound on these pages, and 2018 brought to the fore some pretty phenomenal vintage wax from the likes of Three Leaning Men, The Woodies, The Lift, November Group and the Cuban Heels amidst approximately twenty others I've managed to shoehorn into one folder.

Given the disparate offerings here, more than a few song-to-song segues may not make for the most logical of transitions, though I've attempted to maintain a semblance of continuity, fractured as it amy sometime seem.  Roughly speaking, the first half houses some of the more aggressive selections, while the prettier and more jangly numbers have been corralled in the second.  Included are three previously unshared nuggets that until today you never knew you couldn't live without. 

01. Cuban Heels -  Liberty Hall
02. Private Domain - Burn the Torch
03. Wooden Igloo - Lost Weekend
04. Ten Ten - Giving In
05. Uncalled Four - Set Me Straight
06. The Woodies - Penelope Says
07. Mexican Pets - Stigmata Errata
08. The Red - Promises
09. November Group - Pictures of the Homeland
10. Stark Raving - Too Much to Take
11. Rank Strangers - Target
12. Rockphonics - Lock and Key
13. LMNOP - Like A Diatom*
14. Material Issue - Echo Beach (1986 vers.)
15. The McGuires - Russian Hill
16. Diesel Park West - All The Myths On Sunday (demo)
17. The Lift - Plush With Blonde
18. The Wishniaks - Marcy's Gone
19. The Colours - Somewhere in Between
20. Richard X. Heyman - Hoosier
21. Free Loan Investments - In the Park*
22. The Pterodactyls - Germs
23. Three Leaning Men - Facing
24. Stick Figures - September*

* = previously unshared

https://www70.zippyshare.com/v/3Sr4tNwq/file.html

Signal Thirty - Purpose (1987, Hit a Note)

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Something has always fascinated me about rural/small town indie rock, maybe because there seems to be so little of it.  Signal Thirty, ostensibly hailing from Paducah, KY,could have conveniently chosen to season their ears on such mainstream purveyors of the day as Def Leppard or John Cougar Mellencamp, but I tend to think their collective tastes ran a little deeper than the Top-ten.  Said to have been recorded over the course of Memorial Day weekend in '87, Purpose sounds like a dandy way to have killed three days.  Varying from twangy, albeit skewed roots rock, to jangly REM-isms, this trio never quite settles on a singular penchant here, yet manages to keep the entire affair structured.  Purpose really gets cooking on side two, with brisk keepers like "Wild With Me,""(The Adventures of) Laritasm," and "Some Sweet Day" all exuding verve and zest, not to mention a homegrown aplomb that occasionally floats in the vicinity of what the Meat Puppets had up their sleeves around the same time.  Solid stuff.  The record ends in somewhat uncharacteristic fashion with a medley of the reverent country ballad "Wings of a Dove" and the theme to Petticoat Junction.

01. Long White Sleeve
02. Napalm Luv
03. I Know It's You
04. I See God
05. Misconnected
06. Swimming's Funny
07. Fine Lines
08. Comparison
09. Wild With Me
10. (The Adventures of) Laritasm
11. Life Light (White World)
12. Some Sweet Day
13. Wings of a Dove/Petticoat Junction theme

https://www116.zippyshare.com/v/FEy98MRn/file.html

Open up your mind, open up your purse...

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Something decidedly off the beaten path for you this week.  A chronological, double CD anthology spanning 1971-88 for a band that lay claim to veritable genre-shaping in their native UK, but across the pond, not so much.

**Please do not reveal artist in comments!**

Hear

Rods and Cones - s/t ep (1985, Oh Stu!)

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Not to be confused withe the Boston band of the same (coincidentally featured here a few years ago) the Rods and Cones I'm sharing today were a more economical three-piece set up, situated in the less urban locale of Bloomington, IN.  Guitar pop with varying dosages of power was their calling card and they played it capably, if perhaps half a step or two shy of the mainstream.  Their approach was plenty accessible, but thankfully not as gaudily decked out as the drivel that say, Huey Lewis and his dudes were crapping out around the same time.  The Rods thing was more in league with Tommy Tutone and later Knack.  "Hypnotize Women" and "Useless Knowledge" were cheeky riff-rockers with ample bite, bearing enough commercial prowess to land on AOR playlists of the day...though I'm not sure if that scenario ever came to fruition.  Rods and Cones winds things down with a novel acoustic reading of the Peanuts theme (lazily titled "Charlie Brown") before seguing into one last original.  BTW, the band reunites every Christmas for a local performance.  Visit the link above to be delivered to their Facebook page for evidence of this.

01. Hypnotize Women
02. Getaway
03. What it Takes
04. Useless Knowledge
05. Nine Kinds
06. Charlie Brown/Outta Control

https://www108.zippyshare.com/v/7LAttknj/file.html

Beggar Weeds - Sure Pants Alot ep (1988, Junior Highness)

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This long bygone Jacksonville, FL trio had an interesting array of parties cropping up in their "thank you" list - grandmas, the Chickasaw Mudpuppies, Henry Kissinger...  What to make of that is anyone's guess, and to a lesser extent you can apply that notion to the Beggar Weeds themselves.  From what little poking around I was able to do before stringing these 150 (or so) words together, I ascertained the band fancied themselves as "speed folk."  After a couple spins of Sure Pants Alot, the most immediate comparison I conjured up was that of a higher pitched John Fogerty fronting the Violent Femmes.  But as is the case with so many of my comparative attempts that's hardly a spot-on correlation.  There's a certain twangy modus operandi in operation here, and although BW were a discernible product of the deep south their vibe was thankfully more nonchalant than forced.  Word has it the band made inroads with the Athens, GA indie circuit of the day, so it's not a stretch to say the 40 Watt Club contingent rubbed off on 'em, at least to a modest extent.  In a nutshell, this platter is exponentially more earnest than hip - and thirty some years after the fact I'd say these boys settled upon the correct equation.

01. All I Need
02. Skinny
03. Harry Lee
04. Graduating
05. Churchin'

https://www22.zippyshare.com/v/ndUOrDbV/file.html
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